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transmission speed of the flow of electricity, within solid conductors.
Therefore, the only suitable and reliable measuring instrument was in this case our "hearing", the perceptive apparatus of sounds and noises. In fact, it is known that this is able to perceive very small variations in the sound and evaluate them both in negative and in positive correctly used and trained.
This sophisticated "tool", which Mother Nature has given us, has not been flanked, even today, by another technological instrument capable of this precision.
To verify the scientific validity of this particular experimentation, I have used the collaboration of other people, able to correctly perceive the different sound variations expressed during the different experiments. These people, in shifts, have been present at the different experimentations, constantly or periodically. Thanks to them and my specific listening technique, I was able to avoid any form of self-suggestion, mine and them.
Besides these people, since 2001 through HI-FIGUIDE© I have made available some small projects of solid conductors for audio use, known with the suffixes "AL" and "PF". The aim was to collect further testimonies from other people, absolutely unknown and not among them. In this case, there were several testimonies related to beneficial effects on the sound of their HI-FI systems, a small part of which were published in HI-FIGUIDE© in the section dedicated to "letters".
Thus, on one hand, they confirmed the influence on the sound quality of these projects, confirming some aspects concerning my experiments; on the other hand, they have contributed to provide further evidence of the scientific validity of my experimentation.
With regard to the "repeatability" of the observation of the scientific phenomenon, simply disconnect one of my "solid conductors" and replace it with any other traditional, to notice the high difference, both in the system of my laboratory, and in all other HI-FI systems.
Another observation can also be made. By detaching and re-attaching the power plugs of my system, we observe a drastic worsening of the sound, detectable even by people totally fasting in terms of correct perception of the sounds.
This difference is due to a particular patented device, present in my "solid conductors", which requires at least 48 hours of connection, before making it work properly. So it is, whether you believe it or not!
14. An extraordinary series of revolutionary discoveries
Three decades of research have not gone unnecessarily, because the different experiments, both on solid conductors specific for the transit of the audio signal, and those for the transit of high voltage, have allowed me to achieve amazing results.
First of all, from the beginning it was evident, contrary to what is commonly claimed by some electrotecnic, electronic engineers, audiophiles, etc., an extraordinary fact:
"The existence of the "sound of cables"".
In particular:
"All "solid conductors" affect the quality of the audio signal passing through them and, at the same time, on the quality of the sound".
This means that:
"All traditional and classical solid conductors have an essentially "subtractive" nature, that is they always subtract energy and velocity from the flow of electric energy passing through them".
This confirms that:
"All the traditional solid conductors have a precise "sound signature", which is repeated in all the hi-fi systems in which they are used".
As for the "power" cables, the results of the experiments have eliminated my ten-year skepticism about their influence on the quality of the sound and they surprised me and convinced me definitively that:
"The "power cables" influence the sound quality of HI-FI systems, since they affect the behavior of the flow of electric energy that passes inside them".
It is so clear:
"Variations in the behavior of the flow of electricity, even outside its nature as an audio signal, ie in "high voltage"".
All these discoveries have led to unquestionably sanction that:
"There is a variability in the behavior of the flow of electricity, within different types of solid conductors, both for those destined to the transit of the audio signal, and of the high voltage".
This "variability", as noted in other collateral experiments, should also be extended to all types of signals: digital, video, etc.
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